January 2012 Cover by Debbie Leighton

Happy New Year! I hope ya’ll survived the holidays just fine – I’m writing a lot this here le Beat on New Year’s Day and judging by your Facebook posts, you might have done a little celebrating last night. By the time you read this, I hope ya’ll have recovered.

It’s January, which means I get to tell you about how old I am. Well, more specifically, how old the magazine is 14. It was 14 years ago this month I (along with Sean Spain and Amy Marchegiani) started working on What’s Up! (our debut issue came out in March, which is the official birthday). To put it into perspective 9/11 hadn’t happened, George Bush hadn’t happened, Sarah Jerns was 10, a current college freshman would’ve been four and someone just now turning 21 would’ve been in the second grade. Also, we barely used email and the web was just getting really into the swing of things. Seriously. My friends, that was a damn long time ago! Luckily, the mag gets better with age, or so we’d like to believe. I can’t imagine I’ve been able to cover music in an amazing town for 14 years I remember in high school reading The Rocket out of Seattle (old, awesome music mag), thinking about how cool it’d be to do what they do. That, my friends, makes me a lucky, lucky man.

In the third year of working on the magazine, a friend pitched the idea of doing an awards show. Seemed like a good time, so we made up some ballots and spread them around town with jars and boxes at selected locations (yes, seriously, it used to be paper and jars that the ballots were stuffed in). Now, 11 years later, our whole operation is digital and we get about eight times as many votes (over 1,500 so far this year!). The show, the bands, the whole thing has turned bigger and cooler than I could’ve imagined. This year we’re going to hold the pre-awards show at the Jinx space on Friday, Jan. 27 with Rookery, Triceracorn, Learning Team and Bowlcut. They’ll get everyone warmed up for 11th Annual Awards Show on Saturday, Jan. 28 at the Wild Buffalo, with sets by So Adult, Falling Up Stairs, Lamppost Revival, No-Fi Soul Rebellion, Sugar Sugar Sugar, The Bad Tenants, and IG88 plus DJ Postal, Poops and the Dirty Bird Cabaret all doing their thing. It’ll be a hell of a night, all for only $6 at the door. The show starts at 9 p.m. Thanks to Mark Heimer (No-Fi Soul Rebellion) for the poster design and Joe Olmstead for the printing. Good, good stuff. See you at the show!

This issue, we have a story on Fanny Alger, a local band that’s been kicking around for a while and includes a couple music scene vets, one of whom is Henry Szankiewicz. Normally I don’t talk in le beat about a story in the following pages, but this one was special and means more to me than most stories. Ya see, Henry, unbeknownst to him, was a huge, HUGE influence on me back in the day – and when I say back in the day, I mean 1992 or so. I didn’t know Henry back then, but I knew of him the dude was doing exactly what I wanted at the time. He was involved in the scene, very involved Henry was in a great band called Medelicious (top five all time Bellingham bands), he booked shows (and if I remember correctly, ran sound) at the Up and Up, plus he also put out records. For me, an awkward kid whose only desire was to be involved in a music scene, Henry was someone I looked up to and respected. I wanted to be involved in the scene as well and do things that mattered. Over the next few years, I became more involved in local music. It took awhile, but eventually I got to where I wanted to be putting on shows, being in bands (not particularly good ones) and starting the magazine. Now, nearly 20 years on, I’m still getting to do what I always wanted to do and, frankly, what I love doing. In some way, I have Henry to thank for it.

ON THE RECORD

Peadar McMahon, Bellingham’s favorite Irish musician, has been recording his latest work, which is tentatively planned for a March release. He’s been in the studio with Paul Turpin a couple of times with more sessions planned. You can check out his releases on his Facebook page.

I’ve been told by Gabe Taylor that the FFA disc is just awaiting artwork. Finally, after a couple of years, it will be UNLEASHED TO THE MASSES! When yer talking about metal, you need to use all caps.

Cower have been recording new songs. No word on a release, but them in the studio sounds damn good to me.

Kit Nelson has also been working on a new album with Andrew Jenkins at the controls. The release date is “sometime in the new year,” but here’s hoping it’s soon. She’s also working on a new band that’ll include Julian McDonough (who is, ya know, awesome) and others.

Do I have a copy of the latest Femme Uke recording? Yes I do. Is it absolutely awesome, just like everything else Femme Uke does? Yes it is. Will you be glad you picked it up when it comes out? Yes you will. Out very soon on Most Gross Records (Jenn Hartman and Sam Parker ex-Bellingham folk).

The Endorfins (not Endorphins we apologize for the misspelling in the last issue) have a CD release party on Friday, Jan. 6 at the Old Foundry with Kithkin and Osa. In addition, they are also back in the studio, recording new music with Will “I’m friends with Rob Gronkowski” Glazier.

Yogoman Burning Band is releasing a live recording in February the only recording of YBB as a four-piece. Caught on tape (wow, that’s an old term) at a summer Boundary show, the recording catches the dynamic of YBB’s most interesting set up as a four piece without guitar or keys, the band really got to move around and explore in their space. Look for the debut YBB’s latest line up in February.

Triceracorn is already working on their second album (with the first just being released). I really, really love this band IG88 doing the beats gives it an absurd depth and Beige’s rhymes are ridiculous.

E-clec-ti-ci-ty are also working on their second album. No word yet on when it will be done, think they’re all students, but you should expect pretty good stuff from these guys on the local funk scene. They’ve been known to get people’s asses shaking.

COMING & GOING

Bands seem to be forming daily, including Astronauts and Airballoons, which is comprised of Barrett Lizza, Preston Whitman (Pirate Pirate Motorhome) and Chad from Drogados. According to Barrett, they play a bunch of different, weird instruments, including a theramin, which makes me a little giddy inside. Watch for shows.

Rhombu$ is back! Armed with Jordan Rain on guitar, what started out as a few reunion shows has turned into a week-long tour down to northern California and back. Sounds funny, but I feel like Bellingham’s music scene is better with Rhombu$ playing music again. Hopefully this isn’t just a one shot deal. Check out their Bellingham shows at Jinx on Jan. 18 and later that night down at the Cabin.

Scum Eating have gone through some personnel changes with Jessyca Murphy replacing Robert Lashey on vocals and Henry Miller replacing Bill Anker on drums. Henry spent some time playing drums with Sisturn Moth, so we’re stoked to see him playing again.

Casey Nolan has stepped down as the booking coordinator at WhAAM and has been replaced by Emily Manke. Kate McCracken is the new volunteer coordinator. You are now up to date on the who’s who of WhAAM. Now go to a show.

Bright Weapons are going on a nearly half year hiatus while singer Amy Gibson heads to China for a while. Not sure what “Handsome” Rob is going to do during the break, but he’s gotten pretty good at playing bass through a fuzz pedal, then posting it on youtube. So, there’s that. In the mean time, catch ‘em at Shakedown on Jan. 7 with Shit Machine and Sunshine.

Havilah Rand is back in town for a few months. She recently played a great show down at the Blue Horse, hopefully you’ll see more of her shows before she heads back to Austin. Ms. Rand also has a new disc out, which I hope to pick up very, very soon. Havilah is old school, used to see her play before the magazine even started. Love it when folks keep on keeping on.

GOOD TIMES

Checkmate Music has opened up over on Northwest, by the old Manna Music (if you know where that was, then you are damn old) and, coincidentally, next to Checkmate Pawn. David Payne, aka, The Guitar Doctor, is managing the shop with the help of Zach and Eron from Black Beast Revival. Unlike other music shops, Checkmate gets their items like a pawn shop, so you’ll find different stuff there (I got a trumpet for $25!). Check it out.

Speaking of sounding damn good, I didn’t make it to the Sloths show in December (had the date wrong), but I heard they killed it. There’s something about this band, they almost remind me of Truman’s Water, an old band from San Diego it’s like they’re constantly on the cusp of utter destruction. Always right there, pushed to the limit both sonically and emotionally God I love it. Some of the coolest music I’ve heard in awhile.

IG88 just signed to Portland based Nueva Forma and will be releasing his debut album on Feb. 20. You can check out IG88 special guest set at the What’s Up! Awards show on January 28. If you haven’t checked out IG88, do, you’ll be blown away. What’s inside Branden’s head is very, very interesting.

A band that I absolutely love, The Heligoats, look to be headed out on tour this spring and summer. Which means a new album is probably on the way. Which means I’m happy very, very happy. Chris (The Heligoats) has a unique way of staying under the radar locally, while gaining a loyal following nationally not sure most people realize what a badass he is and that he’s even here.

The 23rd Trailer Wars will be held at the Pickford Film Center on Jan. 11. The theme is Buddy Cop Movies. Let the hilarity commence. That is all.

Bellingham has a new podcast called Project Bellingcast, done by the brilliant minds of Chris Patton and Ross Brackett. The debut podcast includes a roundtable discussion of local restaurants, an interview with the City of Lost Children and an interview with yours truly to kick things off. Chris came by the house, we chatted, he met my wife and kids we had a good time. It was an honor to be on the debut. Check it out, think you’ll enjoy it. You can find the podcast online and on itunes.

Well, think that’s about it for this month, my friends. As always, thanks for reading and supporting the magazine. I look forward to seeing you at the Awards Show!

Brent Cole

editor@whatsup-magazine.com

Soothing saloon sounds with an upbeat, knee slapping, and bass-drum tappin beat came to the Wild Buffalo on Friday, Nov. 4. A wave of multi-instrumental artists with warm theatrical stage presence performed and punctured B’ham minds with their talent.

He’s My Brother She’s My Sister and Buster Blue combined a whirlwind of talent and perfection. Hope you got that Bellingham, cause this show was impressive.

Opening the show was Bellingham local Cara Alboucq playing an acoustic set, pleasing the crowd with covers and her charismatic personality. With a face like a model, Alboucq is a true cover girl; she covers her favorite songs and plans on writing her own music once her cover album is finished.

Following the covergirl was an unfamiliar sound; Buster Blue is a five-piece Reno/Americana Folk, a melting pot of genres, talents, and instruments. From start to finish Buster was emotional, inspiring, and fascinating. The five musicians shared the stage with 12 instruments including the clarinet, trombone and a few sexy saxophones. Every song changed genres and almost every musician switched instruments.

Like a chain gang working on the railroad they started their show with a 5-gallon bucket and chains, holding the audience in suspense with taunting dynamics in every song. Loud to soft, lead vocals to romantic woodwind solos, the emotion and musician participation in every song, glued your eyes to the stage. Every moment of this performance held high anticipation and curiosity. Song after song the audience stayed in a constant state of amazement. Who was playing what now? What kind of music is this? How should I dance, swing, shake or shuffle?

The most impressive part about this talented group is their sincerity. They made you feel noticed in a crowd of many, you felt invited to future shows or conversations.

Buster Blue’s love for performing was very present. The group tours all over the United States, with two tours this year, so the chances of seeing this Nevada born band are possible and worth it. Make sure you bring a feather to stick in your hat or hair, and ladies wear your fluffiest skirts and high heels as you may just want to form a line and kick your half naked legs to the sky.

Feeling open-minded and satisfied after a fulfilling opening set the crowd awaited the headliner. He’s My Brother She’s My Sister confidently strutted onto the stage. Her brother wore suspenders and purple velvet pants, while his sister wore a red dress and an Ushanka (Russian winter hat). His lady stood behind him on top of a bass drum in tap dancing shoes and a fabulous flapper dress.

He is Robert Kolar, he plays guitar, banjo and is a singer/award winning songwriter, and also successful actor. She is Rachel Kolar, lead vocalist and entertainer; she writes most of the group’s music; her voice is well tuned and delivers a folkish edge. The crowd was mesmerized by her presence alone. Together they grew up and with the rest of the band they teach others how performing arts and music come together, and the result is a little bit antique and extremely unique.

Standing behind the siblings were the three other HMBSMS characters.

Wearing an all white half-sleeved flowing blouse, like a character out of a Shakespeare poem; Oliver Newell is a jazz/classical/rock/experimental upright bassist, performer and dancer (and according to their band website, an amateur scientist). He is a stellar bassist, and it shows that he was principle bassist in the Kona Symphony. Newell showed true romance on stage strattling and passionately plucking his upright, it looked as if they were in love.

The unique and breathtaking Lauren Brown, tap-drummer, dancer and performer has been tappin her beat since age 8. Brown towered over the stage on her own little hand-made bass drum riser producing a sound and performance worth watching every movement. Her left foot taping the hi-hat rhythm and her right is the snare. “I’m just saying she was playing triplets with her feet!”

The band’s rhythm section was a dancer on a drum; passionate bassist and Robert using a bass pedal to hit the bass drum behind him with his heal. Brown, Newell and Robert Kolar are a rhythmic revolution the idea behind this section is brilliant and in time… They offer a pulse, pleasure and entertainment to every song.

The lead guitar played by Aaron Robinson offered the structure and solid guitar melody that kept this sound so sweet. Robinson, who began his musical career at age 8 playing classical guitar, is the musical director for folk legend Linda Perhacs. His experience shows and sparkles on stage with sensual playing and an always-smiling stage presence.

The combination of talent and theatrics made this night magical, and most importantly inspirational. It’s truly refreshing watching musicians of this caliber perform and deliver a solid show. The two bands really seemed meant for each other, their style and performance so similar and unique on an individual and group level. Hope to see these two together again.

Evidence - The Real Thing

Michael Perretta won a Grammy for co-producing a track for Kanye West’s album, The College Dropout. He’s a member of the beloved hip-hop group, Dilated Peoples and is now part of the Rhymesayers family, which is a strong testament of his credibility as a solo artist. Perretta, better known as Evidence, will be coming to the Wild Buffalo on Dec. 10.

Since he recently put out an album, Cats & Dogs, Perretta says he likes to, “ease in new material,” rather than overemphasize his latest work by playing primarily new songs. “I try to play a varying set each night,” he notes, “I want to avoid any predictability, especially since people are able to upload videos to YouTube.”

However, Perretta doesn’t feel negatively towards this since it’s an indication that his fans are interested enough to document his performances. “It’s actually pretty awesome,” he adds. Apart from changing his set each night, Perretta says he changes the beats for some songs, utilizing beats from other well-known rap songs. “I’m not reinventing the wheel,” he says, “I just want to put on a fun show.”

When discussing Cats & Dogs, Perretta explains how the album is about dealing with everyday issues that he personally faces. “The term ‘cats and dogs’ comes from the British saying about ‘raining cats and dogs,’” he says, suggesting that the album can be viewed as an umbrella against the constant downpour of obstacles people face in daily life. “It may not be about the most glamorous subject material, this is a drama, not a comedy,” he clarifies, “but a lot of the songs embrace real shit.”

He goes beyond the usual idea of real-life drama by establishing how the album is meant for people to find motivation to overcome their problems. Perretta realizes that his subject matter is somewhat risky since many fans would rather hear about luxurious lifestyles rather than self-reflection. He draws a distinction by explaining, “[He] doesn’t want to hear Rakim rap about only having one chain or Dr. Dre rap about not having orgies. They’re superheroes. I want to hear about Rakim having seven chains, you know?” Perretta writes about his authentic viewpoints by focusing on the familiar rather than the stereotypical iterations of current hip-hop trends.

The tour that is set to come through Bellingham bills Evidence opening for The Grouch, Zion-I, and Eligh, which is part of the “5th Annual ‘How The Grouch Stole Christmas.” Perretta explains how, “[the other three rappers] have a big set together,” which doesn’t leave him feeling displaced. “Dilated Peoples had to win over audiences when we opened for [other artists] in the past,” he says. The show on Dec. 10 is also the date of Perretta’s 27th birthday and he says there will be a celebration not to be missed. This is not Perretta’s first time in Bellingham since he came through a few times before, including when he opened for Brother Ali.

Perretta is enthused about the tour, especially since it will give him a chance to perform for audiences that may not be familiar with his work. He believes that the gap between the fans of his music and the fans of the other artists on the bill is closing. Before ending the conversation, Perretta says, “If you can’t afford to buy my music, download it illegally and tell someone about it.” Since he created an honest album based on human struggle, it appears his efforts are worth rewarding.

See Evidence at the Wild Buffalo on Dec. 10 as part of the 5th annual How the Grouch Stole Christmas show. For more information about Evidence, visit myspace.com/evidence.

If you weren’t able to catch Hey Marseilles and The Moondoggies at the Buffalo, it is going to be hard for me to do it justice in this review. With that said, quick word of advice next time either of them are here, be there.

Both bands are Seattle based and made the jaunt north for a Saturday night to a very receptive crowd. I have always been a longtime fan of The Moondoggies, but I had never managed to catch them live, and as for Hey Marseilles, I had only heard the name dropped a couple times.

Hey Marseilles opened the evening up with a long, haunting song that introduced the various instruments the band uses. The band features a cello player and violinist, as well as a trumpet player and an accordion, and this is all backed by your typical bass/guitar/drum setup. The sound they are going for is very straight and to the point; it’s like a weird cross of semi-coherent folk (think Decemberists) and polished bohemian music. They put on an epic live show that night that was three-quarters heavy, giving the entire set a waltzing feel.

The warm violin melodies danced around a dark cello and even creepier sounding accordion, and it reminded me a lot of the band Cursive. Hey Marseilles also changed the moods of the songs as frequently as the mood swings Patrick Bateman goes through in American Psycho, which kept me on my toes and gave their entire set a regal and eclectic feel. Quickly transitioning from warm, happy music, to straight up dark and heavy, I heard several in the crowd mention that it was like a tamer and more emotional version of Beirut.

If there was ever a band that understood catchy, blues driven hooks, it would be The Moondoggies. Crossing the line between Americana and folk, the band molds all that is feel good into one polished grooving live performance. This was my first time seeing them live, and it took me two years and about four copies of Don’t Be A Stranger to finally catch them. Everything about their live show seemed to elaborate on what they had put on their albums. The bass was more driving, the guitars more melodic, they even added a lap guitar to their set.

What was also impressive was the amount of repetition they can get away with. With most live shows, if a performer drones on singing the same thing, it quickly loses ground with me. Maybe it is just my biased opinion, but when the Moondoggies do it, it is like they are accentuating the theme they have already set for the night and it fits perfectly. Not to mention, I have never seen a more entertaining tambourine player. The band had a lot of stage presence and the crowd ate them up. Next time these guys are in town, catch them!

Oh, what a night. Funky gypsy jams, comical acrobatics, dream science and human artwork with an array of green friendly products. Five Alarm Funk, a 10-piece funk band from Vancouver, B.C. and Bellingham’s own Dream Science Circus performed at The Wild Buffalo in a show presented by Northern Lights Gardening, celebrating their new store in Mount Vernon.

A show of this caliber turned out to be a rhythmically righteous event. The amount of energy, amazement, and arousal captivated every member in the audience. The combination of funk-music, dance, physical comedy and aerial acrobatics gave light to this Northern Lights extravaganza which started around 11 p.m. and ended after two mesmerizing sets. It was free if you arrived before 10:30 p.m., and only $5 any time after.

Opening up with acrobatics and vulgar sexual references, The Dream Science Circus dropped mouths and sexual comedy all over the dance floor. Dream Science Circus originated in Bellingham, founded by Islando and Ukoiya (U & I Production). According to the Dream Science website, the company is a “non-profit collective dedicated to supporting artistic exploration.” They say it’s a 10-part production, one part comedy, and one part science, with seven parts circus. Each part from my perspective contributed to an outstanding performance and experience that all Bellingham folks will remember for years too come.

The combination of music, and circus theatrics guaranteed not one empty or dry seat in the house. From sword swallowing to sexy women wrapped in silk hanging from the ceiling, there where continuous ooohs and aaahs from the crowd, keeping you wanting more.

Five Alarm Funk is a band that is melodically and rhythmically well constructed from head to toe. Their head banging and two-step shuffles makes their stage presence punctual and powerful. The six-year-old band pounds the percussion, and hammers in the middle-eastern inspired horns. Nailing dance moves from throwing elbows and kicks, the choreography is perfect.

The percussion section, powered times four, gives spunk to the Five Alarm Funk. Tayo Branston, a dark curly haired, raspy lead vocalist/announcer and kit drummer, has an animalistic demeanor; he resembles “the animal” from the Muppets.

The amount of movement behind the drum kit only demonstrates how much energy these guys really bring to the stage. The rest of the percussionists includes Tom Towers (congas/bongos), Justin Kennedy (shekere/percussion), and Carl Julig (timbales/percussion). Front line and center, the powerhouse percussion makes you feel the music, and move to the rhythm.

Tasteful trumpets, a taunting trombone, and seductive saxophones give this show strong brass participation. An all-star line-up horn section featured Ryan Naso (trumpet), Kent Wallace (trumpet), Dameian Walsh (tenor/alto/bari sax), and Nimish Parekh (trombone). All members danced in sync and were out of sight.

Horns from heaven and percussion from paradise, the power and performance from Five Alarm Funk gives the audience a zesty bite of funk fusion flavor. Never too much cow bell or too little brass, together the percussion and horn section rule the stage. No matter your pallet, they have it all funk, jam-band, Afro, hip-hop, with a dash of gypsy.

What's Up Magazine - November 2011. Cover by Mat Hudson

Brent and Becca’s baby girl Autumn arrived Oct. 13, joining big brother Harrison and big sister Ruby!

Well, now that Horror Business is done occupying the venues of Bellingham, that means only one thing: October is over. But how great was that month? Not only were there fantastic shows spread throughout, but Beavis and Butthead are back, and honestly, who needs anything more than that? Bellingham’s music and arts community are thriving and excelling. It’s been an exciting time, and November is going to be just as good.

NEW PLACES TO PLAY

There’s so many things happening on the south side of N. State recently that I have decided that it will have its own section for the Le Beat this month.

The Ridge Wine and Bar is done. The business was sold to Shea Hagan (of Ship to Ship) and Rebecca Ogden and they have changed the name to Redlight. Not only will the space on N. State Street be one to host shows, art exhibits, delectable wines and beers, but they will also feature its own coffee roaster in the back called “Redlight Coffee Roasters.” It’s practically putting everything that Bellingham loves into one space. I can’t wait to see the final product.

Another addition to N. State is Positive Negative. Jason Byal is the executioner of this much-needed niche in Bellingham. The space is a 1,000 square-foot industrial room that is being transformed to have a darkroom, dry room, studio, and gallery art space for the community. Everything has been placed on wheels for the space to be adaptable to any artist’s needs while keeping lighting in mind. You don’t need to be a professional to use the space either, anyone is welcome to use the facilities. I’m really excited to see what this space will become. For the longest time Bellingham has had tremendous photographers, and I’m excited for the analog form of film to be accessible for anyone.

Time in Play is a new business on 311 E. Holly Street. The idea for this place is amazing: a family (and everyone) caf that has good food, great coffee, (eventually) beer and wine, and climbing structures, big wheels, and toys for kids to play with and on. In time, the space will regularly host music. Jordan Rain is currently setting up every Monday night for a family oriented Yogoman’s Wild Rumpus.

Also, while we’re on the subject of Yogoman, the Burning Band just acquired Nelson Bell from Seattle as a new sousaphone/trombone player for the band! Congrats Nelson! Welcome aboard. The band is still looking for a singing bass player along with sax or trumpet players. If you’re interested and you think you’ve got the chops, find Jordan Rain running through the streets of Bellingham sometime. Or you can even catch him on Mondays at Time in Play!

ON THE RECORD

Odd Ones Out are recording are currently recording. I saw this group for the first time at WhAAM’s Grand Opening at JINX Art Space and they blew my mind. The group is definitely going places, but more importantly they look like they’re having fun when they play. Which is really the most important part.

Both Sugar Sugar Sugar and Swayze are currently in the midst of recording. I hear that they’re recording a lot of it analog. Mmm….analog.

Tearamanapart posted one song online this past month and I hate them for it. It’s so good and I want to hear all of it ASAP. Like right now. The boys are going to be doing a little traveling for some shows in November. One show is on Nov. 6 at The Shakedown with Rabbits and Sirhan Sirhan. On Nov. 11, they’ll be at The Cabin Tavern with Seattle’s Grenades and Bellingham’s newly adopted Cower. They are then traveling back down with Grenades to play at The Black Lodge in Seattle with Monogamy Party and a few others. Have fun boys!

PRND has a new album coming out. They will have their CD release while playing with Cave on Nov. 18 at The Cabin Tavern.

Also what should be noted is Zach Zinn from PRND is now doing Karaoke at Cap’s. While it’s a very rare occasion that I grab the mic, as long as Sum 41 remains in the binder, anything is possible.

The Daffodils also have their CD release party later this month. Catch them at The Edison on Nov. 26. A little shuffle board and music never hurt anyone, now did it?

David Ney’s new solo CD Blackened will be released soon. The show will be at The Shakedown on Nov. 30… on his birthday! So make sure to mark your calendars for that one.

Queen Anne’s Revenge will be having their CD release at The JINX Art Space with A Cat from Hue and Feather and Bone on Nov. 12. This night is booked solid for an all-ages rock ‘n’ roll party.

Bellingham has always had a little thing for local compilations, and now there’s another one that we can look forward to. Boris Budd has put together an Occupy Bellingham compilation containing local artists such as The Posies, Black Eyes and Neckties, Yogoman Burning Band, Candysound, Kris Orlowski, Dana Lyons, Keaton Collective, Police Teeth, and many more. This stacked release is set to be available on 11/11/11 and will be accessible for anyone to download for free online.

Osa is having their CD release with Little Elephant and The Palisades on Nov. 9 at Glow. Keep an eye out for the poster around town because it’s probably one of the cutest things I have ever seen.

RAD TIMES

After a long drought, the Bellingham all-ages scene is starting to kick butt. Between the workings in The Old Foundry and WhAAM at The JINX Art Space, there are actually options for all-ages shows! More music means more bands means more shows means more fun. This I’m okay with.

Also speaking of JINX Art Space, both Make.Shift and WhAAM have put up a community bulletin board in the basement. Think of it as a less creepy version of the musician’s section on Craigslist. Need a guitar, amp, PA, or singer? Just post it on the board and then everyone going to the shows and workshops in the space will see it. Resourceful, fun, and sensible.

KARP (and I’m not referring to the Pok mon type) is back, kinda. For over four years, Bill Badgley has been working on this film. Little “did you know game,” WhAAM’s President Amanda Kalkwarf played in a band when she was 15 years old called Team Butt. The band played with KARP and The Cleavers (band before Murder City Devils) as their first show. She’s going to kill me for adding that in but I think it’s awesome. This KARP documentary is something that a lot of Bellingham people have been waiting for and on Nov. 19, the film will be showing at the Pickford Cinema. This is definitely something not to be missed.

Acorn Project are going on tour, and their welcome home show is at the Wild Buffalo on Nov. 11 with Quick and Easy Boys.

Two huge benefits are happening in November at The Shakedown. Boom Boom Thwack returns Nov. 25 after a 10-year hiatus to benefit the Seattle Drum School’s Ben Hills memorial scholarship. Personally, I’ve never been to one of these things so I asked Aaron Ball to help describe it: Imagine four drummers with four kits. Some come with beats/ideas/songs and some improvise. This is not a drum circle. This is a “16-limbed beast chopping up drumsticks like they were toothpicks. You have never heard anything like 8 drumsticks hitting 8 cymbals simultaneously – imagine operating a chainsaw inside a jet engine that is flying through a hurricane and you’ll have an idea of the volume/power/energy BBT delivers.” Personally it sounds like a benefit for the amount of ear plugs that The Shakedown will have to provide, but I’m into it.

Then on Nov. 26, Chachi 7 the Hot Shotz will be playing. This group is what some would call an all-star lineup featuring Charlie McCoy from Whatcom Falls, Sharpie, and Camarojuana, Ryan Roullard from Wastelanders and Camarojuana, Darren Johnson from Sharpie, and Aaron Bell from Sharpie, Enders of Ozone, and Virgin Islands. The benefit is for Charlie’s wife Mandy, who owns Studio Galactica. She recently had a terrible fall and shattered her wrist. The group plans on playing many songs from all the bands, including songs that were recorded but never played live before. They also plan on making some of the songs acoustic, and even selling old Sharpie 7″s. It’s definitely going to be a memorable night and it’s all for a good cause!

Did anyone see Make.Shift member and Cabin Tavern booker Audra Robson’s audition for the Wheel of Fortune? Inspiring doesn’t even begin to describe what I saw in the video online. She talked about Make.Shift, cabin-oke, and of Bellingham with grace and poise as she sang in front of a huge audience showing her karaoke skills by request. Good luck Audra on getting a call back! Bellingham will be rooting for you to buy a vowel.

COMINGS AND GOINGS

Olio is done, as a name at least. They are now called The Vonvettas and have been writing new songs. Recordings should be hopefully coming soon and I’m really looking forward to hearing their new stuff.

I don’t know if it was just for the holidays, but Thorny Croft, Bellingham’s own Ramones cover band played twice for Halloween and I hope they’ll continue. The Contra’s own Blake Owens mastered Joey Ramone.

EXTRA EXTRA

The Cole family has a new baby. Brent and Becca’s daughter Autumn was born on Oct. 13, and she is adorable and cute as can be. The whole family is happy and healthy, and excited for their new member of the family.

Start planning ahead! The What’s Up! Awards Show has officially been scheduled for Jan. 28 at the Wild Buffalo. The all-ages pre-awards show will take place Jan. 27 at JINX Art Space. Personally, there are so many venues, bands, art galleries, and individuals working hard in this community, that nominations in itself are going to be a toughy to compile! Keep a look out soon for voting online. You know you want one of those golden beer cans…

Somehow, the soulful stars aligned, and Austin Santiago, DJ Booger, the Screaming Eagle of Soul, and Craig Jewell were able to meet and hug it out over breakfast in Portland. COURTESY PHOTO

This Tales from the Road is the story of Craig Jewell (Wild Buffalo), Austin Santiago (BuildStrong), and DJ Booger (Wishbone) and their mission to return the ‘Screaming Eagle of Soul’s’ pants. That Screaming Eagle, who is better known as Daptone Recording artist Charles Bradley, performed at the Wild Buffalo House of Music for a sold out audience on Sunday, Sept. 4. Everyone was blown away with the soulful revival and the energy in the room was at an all-time high. Charles and his band were just as grateful of the experience as the crowd was, which really made the night special. We said goodbye and wished them a safe trip down to their next show in Portland for Music Fest Northwest.

The next day Craig received a phone call from Charles Bradley’s tour manager, Chris, who was in a bit of a panic due to the fact that Charles left his shirt, boots, cell phone, and pants at the Wild Buffalo and hotel. Chris suggested that we expedite the items to them through FedEx but we knew that these items were too important to be mailed. We needed to hand deliver them to Charles in exchange for free passes to Music Fest Northwest. How the hell would it look if the Screaming Eagle of Soul performed without pants or boots? So we were off.

The trip started off a bit shaky. Carlton Eide, who also works with the Wild Buffalo, left the back hatch open on Booger’s Subaru and everything fell out of the car as we were leaving. We soon figured out that all of our stuff was gone and we turned around and got it all back. After that, it was smooth sailing down to Portland.

We met up with Chris and the band at this fancy-pants hipster-exclusive barbeque where the beer flowed like wine and even the vegetarians were eating meat. We gave all of the misplaced items to Chris but were a bit disappointed that we didn’t get a chance to see Charles as he had called it an early night.

Day two in Portland began with an early morning set by Swedish soul sensation, Little Dragon. KEXP did a whole run of free shows at The Doug Fir which is not only an incredible venue but was conveniently attached to our hotel. After a stripped down feel good set from LD we met up with Leigh Feldman. Leigh is one of those guys that knows everyone and everything going on. The weather was hovering in the low 90′s by mid-morning so Leigh decided to take us to a nude beach on the river and we all talked about promoting shows while DJ Booger awkwardly waded in the water.

Charles Bradley kicked off our MFNW experience at the historic Aladdin Theatre. Getting a chance to see Charles perform for the second time was nothing short of inspiring. His presence is untouchable and his voice, larger than life. There is an advantageous ambiance associated with seeing the Screaming Eagle of Soul perform in a space with so much history. There was no doubt after the final encore that we all witnessed something special and one of a kind. The performance left everyone glowing, and as the excitement filled the streets, chatter of satisfied concert goers vanquished the sound of nearby traffic. Once again, we unfortunately didn’t get a chance to say hi to Charles since we needed to make it to the next show.

Phantogram was set to perform a free show at The Doug Fir shortly after Charles had ended and even though we were running late we decided to risk it and hop in a cab to see if we could catch part of their set.Upon arrival we were informed the fire alarm had been pulled and the show was running behind schedule.Once the OK was given and we were let into the venue we made our way to a decent vantage point to see what Phantogram had to offer live.Their set was a balancing act between ambient female vocals, heavy synth melodies, and melodic guitar lines. We were all impressed with Phantogram’s ability to make music simple and beautiful on record, yet high energy and driving when performed live.

After a short and sweaty stint at The Doug Fir we decided that the next step was to go to a seedy bar in Chinatown. We met an electro/house DJ that goes under the name, “Easter Egg.” We were told that he was named that because every night he plays a show he blacks out on whiskey and hides in places where no one can find him. One can doubt that he remembers us, but he’s a best friend for life in our book.

It was time for our Portland adventure to come to a close and head back to our fake jobs in Bellingham. As we were leaving town, we “yelped” a nearby breakfast spot and decided to go to an outdoor restaurant called The Big Egg. Somehow the soulful stars aligned and we picked the same place to eat as Charles Bradley and his band. He immediately recognized us and gave us all hugs for driving down there to return his belongings. In return, we made him and his band promise that they would come back and perform in Bellingham again soon.

The three of us left Portland ecstatic and satisfied. The end.

George Quibuyen (Geologic ) and Alexi Saba Mohajerjasbi (Sabzi) have been a Seattle duo for nearly 10 years. PHOTO BY RYAN LEWIS

The Blue Scholars seem to be synonymous with the term “socially conscious hip-hop,” a concept that has been in development since their formation in 2002. Coincidentally, the two met as University of Washington students through a group that wanted to create a more active hip-hop scene on campus.

George Quibuyen, Geologic, is a prolific MC who has a rich history of performing spoken word and offers a voice unlike anything found in polished Top 40 tracks or grimy underground rap. His unique perspective derives from spending time in extremely diverse areas of Seattle, often contemplative of the political power people have when working in numbers.

Alexi Saba Mohajerjasbi, or Sabzi, has honed his own sound as a DJ, setting the Scholars apart through beats which are both classic and innovative. Sabzi’s style has grown since their first album, Blue Scholars, which was sample-laden and reminiscent of early hip-hop, to a more modern sound, possibly stemming from his involvement with Common Market, another Seattle-based hip-hop group.

Although their last album was released in 2007, Cinemetropolis does not stray from their core focus on political issues, both locally and nationally, class inequality, and the importance of being educated. “Oskar Barnack Oscar Grant” transforms the idea of harming police into photographing their brutality through the chant of “Shoot the cops/Take your cameras out your pockets/And shoot the cops./” Geo notes, “If they want to shoot at us/Got a right to shoot them up/They shoot us in the back/But they say it’s from the front” which might allude to a response of reciprocal violence.

Their message, however, is to find justice through other avenues. Before Cinemetropolis came out, the Blue Scholars started a fundraiser to release their album independent of a record label. They aimed for $25,000 and wound up with over $62,000, all from their fans, allowing them to branch out and turn Cinemetropolis into a series of short films, adding more depth to their already content-rich music.

Cinemetropolis is set to feel like a movie, especially since the majority of the tracks are names of actual people, serving as a cast of inspirational figures whose stories set the tone for the song. “Anna Karina,” for example, is about an unsuccessful actress.

The Scholars are an intentional duo, undoubtedly choosing a specific line-up for their selection. For instance, “Tommy Chong” shows Geo explaining how pot made its way around the globe, briefly noting historical figures who used marijuana, and finally ending on how the substance is villainized by the government. While this might seem typical from the city that hosts Hempfest, the message is relayed in true Blue Scholarly fashion, backed with evidence, and a light-hearted, catchy beat.

Other people who earn their own track are George Jackson (an American activist and member of the Black Panthers), Lalo Schifrin (an Argentinean composer), and ex-Seattle Sonic, Slick Watts. The album also features Macklemore and Thig Natural, offering an actual cast of current Seattle voices without deterring from the Scholars’ main goal of creating a “visual soundtrack.”

On their kickstarter site, where they raised funds for Cinemetropolis, the Scholars explain their hopes of growing as artists while maintaining full creative control a risk for any act. However, their project came together by the power of their fans, proving both their notoriety as musicians and the validity of their creed.

The Blue Scholars have been around for nearly a decade which is a dangerous time for rap groups, as success can transform hungry MC’s and ground-breaking DJ’s into lazy, broken records. Cinemetropolis is proof that being successful can also lead to grander projects, stronger lyrics, broader ideas, and maturity.

COMING UP!
Catch the Blue Scholars on Friday, Sept. 23 and Saturday, Sept. 24 at the Wild Buffalo. Tickets are $15 advance. For more about the duo, visit www.bluescholars.com

What's Up! September 2011 - Painting by Andrea Heimer, text by Austin Santiago

Hey guys and gals! So The Cole family is busy adding an additional member to their family so Brent asked for some help with the Le Beat. And like last time, I promise to do my best!

First of all, since it is September, I want to give a big welcome to all the new residents of Bellingham and the returnees that are back for school. Also, hello to all of the parents or siblings that might have picked up the magazine trying to figure out where you just dropped off a member of your family to “grow up and mature as adults.” Bellingham is a great city and Whatcom County is a fantastic place to explore and participate in. There are many small local businesses (Bellingham really gets stoked on them) as well as a great art and music scene. This is one of the many great resources to find when and where everything is happening. Coming from a person that just graduated Western this past Spring, there’s a piece of wisdom I want to give: participate in everything you can manage time for. Go to the Underground Coffeehouse and see a group/artist that you have never heard before. Go to shows and support your local all ages music scene. Bellingham also has fantastic art walks downtown that happen every first Friday of the month. Basically what I’m trying to say is the walk from campus to downtown isn’t that far… so GET OFF THE HILL. You’ll be happy that you did. Trust me.

Now for the beginning rants of the le beat… where we find out what’s going on and who’s to blame for everything.

ON THE ROAD

Since it is still summer, there are plenty of bands that just got back or are just leaving for tour.

Lamppost Revival went on the road for a bit in the Make.Shift van this past month. Based on the pictures that I saw on the ol’ Facebook looks like they had a great time. Also on the road was Palisades, who spent half a month down the coast and back. On Aug. 30 they ended up having a quadruple welcome-back home show joined with Cat From Hue, Candysound and So Adult for an all ages event at The Old Foundry. The Cat From Hue and Candysound tour sounded like it was something else. Their van ended up dying on the 1,100-mile trek up to Portland from Santa Cruz, which made the bands miss their Portland show. Boys, I’ve been there. And I can say it sucks. But look at it this way: the van only cost you $11 to get it going again. Could have been way worse!

Devotion, a band that is part Vancouver/Bellingham/Seattle, is currently on a full US and Canadian tour. The crew should be back in Bellingham Oct. 1 at The Old Foundry for an all ages show with GIVE, and Livingston Seagull.

PRND is going on tour this September too. Party van down the coast!

Also worth mentioning is the tour currently being planned by the great Tearamanapart. Those boys are thinking big and different. They plan on heading east in the beginning of November. Hope the Farmer’s Almanac is in favor with you guys when it comes to crossing those mountain passes!

No-Fi Soul Rebellion is coming up on their 10th anniversary (wowa-weez-a)! The duo will be playing a few dates in Washington before heading to Missoula and then eventually ending their travel stint on Sept. 9th at The Shakedown. I can’t believe that both Mark and Andrea Heimer have been going at it for this long. Congratulations you two! I know one thing for sure; I definitely never want to see that infamous green #10 jersey under a black light…

COMINGS AND GOINGS

Plant Party’s drummer Matt Omdal is moving to Seattle. Their last show with Mat was with Cara Alboucq and Jenni Potts at The Shakedown on Aug. 31.

Rookery is taking a break. Ryan Greer is going on a road trip for a bit. Fortunately, I was FINALLY able to catch them during the Wastelanders’ show and hot damn I can’t wait to hear those recordings that Rich Canut did with them. Not only did they sound great, but also they were just entertaining to watch.

Another show that was great was the eminent Johnny McIntyre farewell fest featuring Johnny McIntyre as himself, Moons and Goochers, and Rooftops. I’m so glad that this show happened on a Sunday. On Sundays at the Shakedown they play local music before sets, so when Narrows was playing, well, the atmosphere just couldn’t have been any better.

Now, I did hear some people say that they didn’t believe that this would be Rooftops’ last show (they’ve had nearly three of them now). But I have strong feelings that this past show had a little more significance. Why you might ask? Well, Russia is a lot farther than Chicago.

Also in August was Savage Henry’s last show. They played at Glow along with Lumpkins and Pattern Language on Aug. 22. Talk about a band that’s lasted a while. I remember Savage Henry playing at the first What’s Up! All-Ages Award Show at The Old Foundry along with Connecticut Four, The Russians, and Idiot Pilot. The band will surely be missed.

Last but not least, the Nathan Cox (of Bellingham State of Mind song fame) is moving to Seattle in October. He’s decided to make the great and daring trek down south to create and start new adventures. Good luck Nathan!

ON THE RECORD

As mentioned last le beat, Todos Somos Lee’s official full-length release is happening Sept. 14 at The Shakedown. I’m excited, as you should be too. Peter Hilleary did a great job on the production of the album. Peter’s work can also be heard on the Devilry recordings, slightly released this past month. Three songs are up for sale from the boys and are a preview of the full-length that is due any time now. If you want to know more about this delectable metal treat, you can find a song online.

Also online are new songs from Palisades. It’s really cool to see a band grow and develop so much in a very short amount of time. I can’t recommend enough of these guys. If you find your listening habits a little stagnant lately–look them up.

Ship to Ship also has music online which is perfect listening to as well. They’ll be playing with Todos Somos Lee and Falling Upstairs (who is also in the studio recording with Pat Gay) on Sept. 14 at The Shakedown.

And last but not least everyone can look forward to a Heligoats record coming out soon! Word on the street is that recording will start in September.

END OF SUMMER-ISH

One thing about living in a college town is that during the summer, a majority of things are pretty relaxed. But the first weekend back, everyone wants a good party. This year’s opening weekend of school being back in session is not any different. Where should the fun start this year? Well, the always-favorite Blue Scholars are coming back in town for the weekend I like to call “school’s back in session so let’s have a bunch of great shows happen all at the same time!” The group will be doing a two-night party at The Wild Buffalo on the 23rd and the 24th.

Murder By Death is playing Sept. 21 at The Shakedown. The openers and support have yet to be announced, but does it really matter?

Also on the 24th are The Cute Lepers (used to be The Briefs) along with Something Fierce and So Adult.

On campus, ASPOP will be having an outdoor show with Ra Ra Riot and The Globes on the Communications Lawn (formerly known as the big green space to play frisbee) on Sept. 22.

Also confirmed recently was Young the Giant happening on Oct. 11. Last but not least, Eclecticity and the Learning Team will be playing a free, all-ages, back to school show at The Old Foundry on Sept. 24. Staying in side, ordering delivery pizza (which I just did for the first time! Amazing!) is not an option for this weekend.

VENUES

Some of our local music venues are in the midst of a transition period. Green Frog Acoustic Tavern is in the midst of a move and remodel, and opening soon at the new location at 1015 N. State St. The Ridge Winery, which is next door to the future Green Frog Acoustic Tavern, will be adjusting their live music routine this month details to be announced. The Fairhaven, after 10 years, unfortunately has closed, and Stuart’s Coffeehouse will also be closing later this month.

If you are a parent, there is a cool new place to take your kids, opening up on Sept. 17 with a grand opening on Oct. 1. The Time and Play Cafe will be located on Holly, just up from State Street in the old YMCA building. There will be local art, a cool cafe for those who don’t have kids and an amazing (and HUGE) play area for those with kids. It’s a much needed space for this town and families are looking forward to it.

GOOD TIMES

The Lookout’s 4th Annual Off-Road Soap Box Derby Shbang! Vaudevillingham will be happening on Sept. 15. Personally, I didn’t know off-road derby existed, but the vision of what I think this event looks like, makes me definitely put this on my events calendar.

School of Rock Portland announced that they will be performing Dog Shredder’s “Boss Rhino” at their modern prog-rock showcase on Sept. 3. You know you’ve made it when teenagers spend hours alone in their room studying your tabs. I hope someone records this performance; it would be great to see if the kids make the same Holland-style thrash moves.

Another show worth noting is Marcy Playground, playing at The Wild Buffalo again on Sept. 2 with Black Beast Revival and Olio.

Local hip hop group The Bad Tenants recently worked with Darkheart Visions to create a music video for their song “When I’m Back.” I haven’t seen the video, but supposedly it is a story about four hitchhikers going through Whatcom County. If you want the chance to see the video on the big screen, the Pickford Film Center will feature a viewing of the video on Sept. 11 at 8:30 p.m.

Also don’t forget about the annual “Best Of Bellingham” in the Cascadia Weekly these upcoming few weeks. The categories are a plenty and there’s no excuse why you shouldn’t give credit to those individuals and businesses that help you make it through the year!

Last but not least, I need to talk about a fine young man. He’s a great guy. Really. His name is Kevin Lee. On Oct. 6-8, Kevin is planning a country music festival in downtown Bellingham. Shows will be happening in a variety of venues and so far there are 16 bands booked! I’m not sure what this festival is called yet, but what I do know is that I’m okay with the image of me eating a vegan pumpkin pie on a barrel of hay watching some country music in downtown Bellingham. The leaves will be turning color; a light jacket can be worn comfortably… That’s right fall… bring it on!

Over the past three years of being part owner of the Wild Buffalo, I calculated that I have seen somewhere in between 750 and 800 shows here. And even though I do the majority of the booking, I can honestly say that I have probably enjoyed only about 60 percent of the shows that have come through. I do not book shows because I think that I’m going to like the music. I book shows because I think that Bellingham, or at least a specific crowd of Bellingham, will enjoy and come out to the show. This was the case with The Meat Puppets show (actually booked by Conquest Presents) on Monday, June 20. I knew that it was a show for Bellingham; just as Helmet, The Melvins, and High on Fire were, but not necessarily a show for me.

I came into the Buffalo the night of the Meat Puppets show expecting to listen to a few grunge/rock songs that I wouldn’t particularly enjoy and then go to my office to work the night away listening to the new Dawes album on my iPod. However, I didn’t get a shred of work done that night nor did I even try and locate my Ipod. I instead watched and listened to just about every moment of the Meat Puppets’ set and was completely enthralled the entire time.

They came out swinging starting the night off with a short, up-tempo power rock song that transitioned seamlessly into “Plateau,” one of their songs they played with Kurt Cobain during MTV’s Nirvanna Unplugged. From then on, their set twisted in an out of different genres including grunge, bluegrass, progressive, alt-country, math rock, and more. What particularly blew me away were their harmonies. When a band plays that loud, and they were THAT loud, it’s rare to be able to hear a group incorporate constant and precise harmonies that slice through the distortion and pure volume blasting through their amps. It was unexpected, and refreshing, to say the least.

Midway through the set I went over to our sound tech Ed Hernandez, who has done sound for over 3,000 shows, to talk to him about how blown away I was with The Meat Puppets. He told me that they were some of the most professional musicians that he has ever worked with; they knew exactly what they wanted but were also accommodating of the size and specs of the room and worked with him to make sure that they were not overbearing and were appropriately mixed through the front of the house as well as the monitors. Also unexpected and refreshing.

My personal highlight of their performance was when they broke away from all things rock ‘n roll and played a beautiful cover of “Sloop John B” by The Beach Boys. As they finished, they gave the crowd about one second to be in awe and just before anyone had the chance to applaud or scream, they went into their last and final song that everyone had been waiting for, “Lake of Fire.” Everyone left the show, including the band, exclaiming how great of a time they had and how they couldn’t wait for the Meat Puppets to be back in Bellingham. As a shameless plug and testament to my experience that night, I believe that this just goes to show that you really don’t know if you like a band, or genre of music for that matter, unless you go out and see them live. SUPPORT LIVE (and of course local) MUSIC!